Enxhi, Faranak, Ruba, and Cindy bring the archival image back to life, giving it a second chance. They invite it to wear a new costume and look at itself from a slightly different angle.These films grew out of an exercise in extension: starting from a single image, we manipulated it, let it decay, and kept pushing at what it could still mean. The projects also worked through personal archives, asking what it means to blend the domestic into the global, and to let private histories circulate differently. The result of two years of academic discussion and difficult conversations about what film heritage is, these films ask how we might engage with it in today's political context. Together, they consider what the future of archive-based filmmaking could look like, and how we might rescue both the image and the non-image.